Showing posts with label photography. Show all posts
Showing posts with label photography. Show all posts

Sunday, April 27, 2014

Making the [Least] of Social Media

Last week I attended a lecture on social media for photographers. This is my response:  

I love social events. 

There is something invigorating about a group of people with a common interest all joining together for a night of inspiration. 

I knew that APA’s little event was not Salesforce’s world famous conference, but on the evening going into “Modern Marketing for Photographers,” at Left Space Studios in the Mission, I had this excited feeling that my notes were going to help change my career, that I was going to leave with numerous contacts to exploit in the near future, and maybe even a free neon colored backpack stitched with an embarrassingly large logo.

After signing in and beautifully writing my name on an obnoxiously sized sticker (which I had a problem finding an attractive placing for on my shirt,) I walked into the darkly lit high-ceiling event room filled with socially awkward photographers in odd patterns and cargo pants. With my optimism still high, I made for the bar making eye contact with the gentleman opening a new bottle of red wine. Turning around, glass in hand, I faced my unknown new friends.

Usually, I am very good at sneaking my way into conversation, but my tricks failed me with these shy artists. Everyone stood lonely in their own clusters. Imaginary force fields keeping them tied to their iPhones and looking aimlessly at the empty white walls. A few brief exchanges of uncomfortable handshakes, a woman who gave me a free screen cleaner, and annoying name droppings from a man who tried to pick me up after the lecture with the line “hipster girls like you look good on the back of my bicycle,” was all the social excitement I received before they asked us to sit down. 

pre event bathroom selfie
I sat in the third row, first seat to the isle; not too close to be a geek, but close enough to express interest. 

A balding man took the mic, introduced himself, and made a joke about tequila that no one laughed at. Recently having watched a documentary on the founder of Apple, I sat eagerly hoping to be inspired with the same majestic feeling that Steve Jobs delivered with his sly smirk before a crowd of high waisted khaki wearing nerds. Sadly, my disappointment settled in heavily right about the time we hit slide three.

Nicely put, I wasted two hours, fifteen dollars, and three squirts of perfume last Tuesday evening. I walked out of the building with an empty notebook and an appreciation for one minute long “how to” YouTube videos that would give me the same amount of information in a shorter time and while wearing my pajamas. 

The slideshow was slow and the presenter read it word for word. 

Now I know I am no expert in the art of presentation, but what I do know is you have to be interesting. Your slides should be bullet points for your speech. If we wanted to read about the topic we would have picked up a book, but we wanted personality and elaboration on experiences, at least, that’s what I wanted. 

The facts on the slides were incorrect and gave a “do it my way or fail” vibe that put a panicked pursed lipped look on the mouth of the woman seated in front of me. The examples were not relevant and up to date on the changes in layouts and guidelines of most of the social media applications talked about. The questions asked at the end were responded with a “um..” or “well I don’t use that” response that left the presenter looking uneducated and rude and the questioner annoyed. I couldn’t wait for it to be over. And nearing the end, the only thing that kept me staying was the devilish hope of snagging a bottle of wine on my way out. 

I picked the lecture because I found the topic relevant and interesting, but was incredibly disappointed. Ultimately, Tuesday evening, I lost time, patience, knowledge, and a follower on Instagram.

Tuesday, April 1, 2014

reckless abandon


Music often inspires my photography, as you might have noticed with my lyric/song pairing with each post on instagram or my continuous need to tell you about every music video I find. Now that I think about it, I think I follow more musicians on facebook than I do my friends. 

With that in mind, i would like to present the Verbaledudette monthly music series. At the beginning of each month i will share a collection of tunes that have continuously soundtracked the previous month; some new finds, old favorites, and inbetweeners. 

To make for easy listening, you will also be able to grab a hold of the playlist on spotify. 

i am excited to share my first, here we go! 

April: Reckless Abandon 

1. i need my girl - the national 
2. one for the road - arctic monkeys 
3. black belt - john grant 
4. let go - rac 
5. secrets on our lips - astronautalis 
6. gracious - ben howard 
7. the ghost inside - broken bells 
8. west coast - coconut records 
9. love interruption - jack white 
10. go it alone - beck 
11. i'm into you - chet faker 
12. vagabond - wolfmother 
13. i will be there - odessa 
14. hey pretty - poe 
15. speak in rounds - grizzly bear 
16. 6 underground - sneaker pimps 
17. percussion gun - white rabbits 
18. renaissance girls - oh land 
19. lonely press play - damon albarn 
20. sweet disposition - the temper trap

enjoy! xo : ) 

Sunday, October 20, 2013

inside scoops to my education this semester

This semester I am taking four classes and all of them are photography based. There are absolute pros and cons to this: I get to focus on my favorite subject across the board, but it also involves me being on my creative game constantly and producing excellent work four projects at a time. It has been a challenge, but the challenge is making me a stronger artist - at least I feel like it is. : ) 

I start to the week off with Color Photography taught by D. Jones. Honestly - I wish this class was stronger. The curriculum is there, the ideas are fun, the assigned reading is interesting and helpful, but the teacher cannot teach. She is a nice lady (once you get passed the fake high pitched enthusiastic voice and yoga-bun-spice girl's mom haircut) but she cannot teach. There is that stupid quote that goes along the lines of "those who can't, teach." Well I am here to testify that teaching is a very hard position and not everyone can do it. Take Miss Jones for example. She is an established photographer, clearly knows how to work a camera, gets paid to do some weddings, (i may disagree with her stylistic choices, but that's an opinion,) but goodness gracious that woman cannot teach photography for the life of her. Most of what I have taken from this class as been me spending hours trying to decipher what she was showing us in class and accidentally stumbling on some other technique. It's sad because I think color photography is very important and very interesting, but I am not getting what I need to from that class. I am learning more color theory from my other teachers as I go to them for help and advice about this class. Oh well. Because I do not know what I am doing in this class, it has led me to experiment and explore my tools (my camera & photoshop.) Look at me, trying to turn a negative into a positive, again. Goodness Audrey - stop being so optimistic. : ) Heehee. (D. Jone's photography: http://www.photosdiannejones.com) 

this was a play with white balance and setting your own custom.
*it happened on accident - the learning part came after  
this was the most recent assignment: developing a concept map.
yes, this is something you have been doing since you were little with bubble charts.
it is for an upcoming shoot for my midterm project. i am really excited for this shoot so i put i little extra time into the map than i think most people are going to.
oh well. : ) i like it. 
Tuesday, which is my favorite day of the week in general, holds the spot of not only my favorite class but my favorite professor. A little white bearded biology major named D. Wasserman teaches Concept & Design. This class is a work out. Photographically it is pretty easy, no fancy technical work (unless you want to count the endless photoshop youtube tutorials I have had to watch to figure out of to remove subjects from backgrounds in three simple steps without crying,) but the key to this class is creative, simple, ideas that get your point across instantly. Oh dear. I have never stressed so much about what idea or emotion i can provoke with one object and one photograph. I freak out, call my parents and beg them to give me the answers, text my sister pointless ideas until she says she likes one, and spend too much time googling the words "apple" and "matches." I have gone on day long journeys to find a same-sex wedding cake topper (not as easy as it may seem here in the good ol' SF.) I have printed and reprinted until they kicked me out of the lab at 11:00 pm. BUT the weird thing is after all this work, I go to class excited and I love how it turns out. I actually have confidence in my pieces and that is an excellent feeling. It also helps that my teacher adores me (in a student teacher appropriate way of course.) He is very critical and honest. I love the way he writes on my pictures and pin points the exact points that you went wrong AND THEN TELLS YOU HOW TO DO BETTER. He is engaging, to the point, and funny. Also, he has good taste in music and I have recently turned him into a Trampled By Turtles fan. I love his class and never want it to end. (For some reason I cannot find his website, but here he is: http://www.cactitransects.com/index.php#mi=1&pt=0&pi=2&s=0&p=0&a=0&at=0) 

The following are images from the project from hell. The assignment was to take three objects and following the formulas: A + B, B + C, and A+B+C come up with something conceptually different using on those three objects. I over though this assignment like none other. In fact, I had this elaborate complicated idea completely finished and ready to turn in, but I hated it. My heart wasn't in it, so at 9:00 the night the before it was due I changed my direction. Lucky for me, it was one of best in the class. (I don't want to boast and say it was the best incase my classmates read this - i am still trying to make friends. heehee.) 
object: B
object: C

object: A



B + C = segmentation
A + C = imprisonment
A + B + C = "hardcore" 

M. Sims has gages and tattoos. He may be only five foot seven and sometimes I think he is wearing a bit of eye liner. Somedays I think he is straight. Somedays I think he is gay. This is my wednesday morning Photoshop Level Two class professor. Last year my photoshop class was long, a bit boring, and tedious. I walked out of that class only knowing three fourths of what I was supposed to know and only knowing the basics of those three fourths. This semester it is fast paced, but Sim's is thorough. We learn four or five tools a class and for some reason I walk out confident in all of them. He has a style of making sure we grasp everything in depth and with multiple examples. Its crazy! My love/hate photoshop relationship is mostly made of love this semester. It has made me excited to try out some ideas and shoots. Last class we learned the "liquify" tool. This is the tool that makes your boobs bigger and your stomach smaller. But the first thing we did in class was learn how to make you look like an alien with huge bug eyes, teeny lips, and no nose. Mine kind of looked like Voldemort (GG be proud!) Our assignments are both technical and creative and we get to work on our own images. This is something we didn't get to do until the final last year. I find it helpful because I am actually utilizing the tools in my own work and therefor are more interesting in learning them. Why make someone else's picture look good when you can do it to your own? (he is so cool: http://www.flickr.com/photos/michaelhughsims/) 

here are some image composites and portrait retouching i have done for class: 
sutro baths: before
sutro baths: after
miranda: before
miranda: after
My last class is People Photography. I hate to use the word stalking, but ultimately that is what I love to do. For anyone who has seen my instagram, I am completely fascinated with people. I take street photography seriously and this class utilizes this obsession of mine and directs it into actually thinking about what I am shooting and why. I used to look at street photography as just capturing the instant. It is something that is here one moment and gone the next. This class takes that element and expects me to compose it correctly in seconds. I am not only taking pictures on the street, I am taking photographs of the city around me. See what i did there? My teacher has a thick New York accent and every time M. Hirst says my name I cannot help but laugh a little because it sounds more like Ohdray than anything. He is like your favorite grandfather. He has been around for a while, knows what he is talking about, likes Jack Daniels, loves his children but thinks they are crazy, and goes off on tangents about random things but somehow always ends the run on sentence with a life lesson. This class is pure critique so it is a bit long (going through everyone's photographs can put a cramp in your legs and your bum falls asleep,) but it is always an entertainment. (he is old fashioned - he doesn't seem to exist on the internet.) 

"creative use of street light"

"unique angle"
So there it is. My classes in a nutshell. I have already signed up for spring semester - i know right, don't let me even breathe. I am also considering taking a few graphic design and film classes in the future. I have become very interested in producing work that included some design and film but do not know where to even began. That is the problem with an art school - i want to try it all! 

Have a lovely week my friends. : ) 


xoxo 

Thursday, October 17, 2013

from hell and beach in five months and one week.

Today marks the forty third day I have lived in my new apartment. 

Located in the foggy Sunset District of San Francisco I sit in my kitchen reminiscing. This view of the ocean from Rivera Street did not come easy. All summer long I desperately wrote email after email to the quirky, sophisticated, blunt, and often a little odd ads that I found on craigslist. At least ten emails a day were sent by me. At most, zero answers were ever received. Things were getting desperate. As I scrolled through numerous people renting their couches for $900 a month, their bed's for $400, and their garages for something in between, my sense of hope was slipping six feet under. Every once and a while a glimmer of hope would shine through. Someone would respond, there would be a perfect place, or a perfect roommate, but because of the distance between Salt Lake City and San Francisco I didn't stand a chance to the hundred already at the door with cash in their hands and "winner" on their foreheads. 

Five months later I found myself a week before school started and homeless. Shit. 

With the help of my Father, Mother, and Sister - we pounded the pavements of every neighborhood in SF. Open houses and interviews were continuous. I could not believe I was auditioning for a place to live. There I was standing in a living room with ten plus other homeless students trying to win the hearts of biology majors from SF State. I was listing my qualities left and right, even making some up. "Yes of course I can cook delicious meals." "Yes I love family game night." "That's my favorite TV show too!" It wasn't working and I was getting emotional. 

I think I can honestly say that I cried in every restaurant or cafe we sat down at. 

We were running out of time. The long weekend was coming to an end. My Mother and Sister were flying home in the morning. My Father had to change his flight in desperation to find his first born a place to live that wasn't on a bench in Union Square. Time was running out. I had one last open house of the day. 

I walked in to the apartment. It was quaint. Quite large in space compared to what I had been used to seeing for a similar offering. The host was a sweet Japanese couple. I felt like we hit it off when we first shook hands, but then again, I felt that way about every person who was offering a solution to my housing problem. Inside, and already filling out applications, were men and women who spoke Japanese with the owner. I didn't stand a chance. A native language is something personal - they were connecting and I was just here to witness it. Tears nearing my eyes as I filled out the application I exchanged a few words about my current educational situation with the land lord. He shared a similar experience with his daughter moving to LA. 

I didn't realize it then, but looking back now, that was my key in. Here I was - hopelessly trying to find a house, in order to continue my education, with my father, something that he had just been through. 

On the bus ride back to the hotel, feeling hungry and defeated, I received a call offering me the apartment. 

I almost screamed and then passed out in the smelly Muni bus bumping down VanNess street.

That night we celebrated and cried. I had a place to live. My Mother and Sister wouldn't get to see it or move me in - something all of us wanted to do together. It was a bittersweet toast over pasta in Little Italy. 


Forty three days later I have a new bed, dishes of my own, a few bottles of wine on the shelves for special occasions, a striped shower curtain, and even a walk in closet. I live a few blocks from the beach and can hear the waves roar back and forth against the sands early in the morning when the streets are still. To my left is the beautiful Golden Gate Park and to my right is SF State and The Zoo (sometimes you cannot tell the difference between the two.) It takes me forty minutes to get into the city, but it is an easy ride. I take this time to read books that I usually wouldn't make time to read. 






The walls in my apartment have many pictures hanging up, but still a lot of white space. I am going to take this opportunity to let you help me decorate. Send me letters, photos, anything! I am not asking you to go out and buy me an entire collection of Rolling Stone Magazine posters, but rather something that will make me think of you! (Unless you want to buy the posters - i am not stopping you.)

 If you do not feel like sending a letter, send a package, or better yet - come visit me! : ) 


Coming up next: How to deal with the best semester of classes you've ever had. 

Sunday, May 12, 2013

to trouble your mind with the childish design of how it all should go.


            This semester has honestly kicked my ass. Pardon my blunt language (sorry Grandmother,) but I honestly have not been able to see a light at the end of the tunnel until now. I sit here, the Sunday night before finals week, completely exhausted and proud of myself. I have worked hard and I think it finally shows off in my projects and photographs. Finals in art school are different than what my friends in the state universities suffered through. See, I do not need a textbook or notes to study. It does not all come down to one written final exam or a five paged report reflecting my knowledge from the course subjects. I have one assignment that is large enough to bring my grade from an A to an F by something simple as bad exposure. I have four bodies of work that reflect everything I am as an artist. Sometimes I think I would rather take the bookwork, but then I remember that I love what I do. My finals are painful, but they are completely worth it because through the blood, sweat, and tears, I am smiling.

            In Photoshop my final was to take eight different photographs and completely “fix” them. This means spotting and repairs, taking out tourists, replacing skies, coloring trees and mountains, turning roads into rivers, and ultimately creating a new image. I did most of mine from my time spent in Italy. One, because I am constantly feeling the need to go back, and secondly they needed a lot of work.

Firenze School Days, Before 
Firenze School Days, After
            For my Composition for the Artist class I wrote an art review about Cristobal Hara’s photograph: N1 Alava, Province Spain, 1995. It was nice to focus in on one particular piece and dissect the hell out of it. It also improved my own photographs because now I look at each one and decide what it all means and what will my audience get from it. The following is an excerpt from my essay titled:  “Blood Red and Slightly Tainted.”
            Death is unavoidably attractive. It sparks curiosity, heightens all five senses, and pulls unforgivable emotions forward. N1 Alava, Province Spain, 1995, by Cristobal Hara, is a “highly evocative” (Howarth & McLaren, 77) photograph of the minutes following a fatal car accident. The centered vehicle, flipped over, horizontally frames the death of a young man trapped inside, while a woman reacts only feet away from her bloody passenger seat. The choice whether or not to help or click the shutter as a spectator is a tantalizing decision for a photographer. Does one capture for documentation/art and risk a life or future negative repercussions or do you let the perfect shot slide out of frame because it is the “ethical” choice to make? It is unclear whether or not Cristobal Hara approached the victims of the accident before or after taking the photograph, but his choice to capture the moment as a quiet observer approaching the scene sealed the emotional impact of the tragic event in a subdued manner. Hara’s use of subject matter, perspective, and color, generates an overwhelming sense of loss and a respectful gesture of privacy.

N1 Alava, Province Spain 1995 by Cristobal Hara
            Visualization brought the most creativity. With an open concept requirement I developed “Paper Faces.” While studying, living, and thriving, in Firenze, I learned the importance of body language through the Italians boisterous hand movements and my desperate need to communicate with a foreign tongue I only knew vaguely. It was during this time that I developed a fascination with the human body and human interactions. I became obsessed with observing people; loosing time in coffee shops to watching the customers come and go, taking note on how they stir their coffees or the detail in their wrinkled hands, and writing on sticky notes about how the boy next to me had an eyebrow that resembled that of shower curtain rod because of the ten plus ringed piercings that lined it.
            What I have learned is that facial expressions are the ultimate form of non- verbal communication as well as one of the most evident descriptions of our personalities. Whether it the natural part in your lips or the squint of your eyes when giggling, your face articulates emotions. So what happens if we remove all of that? Then what does your face say about you? Ultimately, that is the answer I searched for with the creation of “Paper Faces.”
            After sending out mass messages on various social media networks, calling all friends/enemies/met you oncer’s, and pulling random people out of the hallway, I ended up with twenty four individuals willing to model.             Over two days, the only light source being a large soft box, I photographed each person as if I was shooting a mug shot: please face me; now please turn for a profile. I did not ask them to do anything particular, wear anything special, or even brush their hair. I merely sang, “Come As You Are” by Nirvana.
            I edited each image to black and white, printed them, and played a game of matchmaker putting together his profile with her forward, her forward with her forward, his profile facing away from his profile, and so on, until I came up with a match for everyone and as many different combinations as possible. Taking the twenty-four couples, I narrowed it down to the best thirteen, in which I removed the face from each individual using an Exacto knife, a handful of patients, and a few Peanut M&M’s.
            The final step was to find a collection of different pieces of text (from magazines, books, newspapers, etc.) and pair it up with the coupled pairs, replacing their face with the words of someone else, and as an end result giving them a new personality. I took SF Weekly & the Guardian on Wednesday; thrift store shopped on Polk Street Thursday afternoon, and begged my friends to give me their old novels on Friday.
            I ripped pages, cut sides, and pasted carefully each text behind an anonymous headshot. The text, to me, was to replace one way of communication with another. After removing the face, the only way to know who these people are and what they are like is by their clothing, posture, and what the text tells us to think. Today most of society’s communication is done through emails, phone messages, letters, and so on. Have we lost our personalities because we no longer need face-to-face responses to communicate ideas? “Paper Faces” address the importance of facial features and expressions while highlighting the dangerous media repercussions our society faces with a growing number in advancing technology.
            *The final has yet to be re-photographed and made digital.

headshot sorting. 
removal of the faces.  
matchmaking. 

            Quality of light was my technical class of the semester. For every artistic choice you wanted to create, there was a rhyme, reason, and three strobe lights to do it. It was this class that I spent long nights and never ending days in the studio. I cannot complain, but I missed a lot of sunlight and fresh air because of the class – I can tell you that honestly and my skin is pale enough to stand as an example. For my final I was asked to create twelve studio portraits with at least eight different lighting styles. There had to be a simple concept to flow it together so I chose “black and white.” Although this one was not as much thought, it was a lot of work. I have to thank everyone who put in time to help me out. Thank you to my models (those of you I know and those of you I met briefly.) Alicea and Jasmine were my go to girls the entire semester. And most importantly Alex and Nic – without whom I would of probably knocked myself out with a boom or set the seamless on fire.

Tom Baboin, No Contrast Lighting
Alexander McNally, Rembrant & Backlight (Jesus LIghting) 

            The end of this semester doesn’t just mark the end of my full year at the Academy, but also the end of my time staying at the dorms (praise Jesus.) I have been incredibly lucky. My room was perfectly sized and had a lovely view down on the busy Sutter Street. I had two (& a half - Love you Phoebe) charming roommates. I couldn’t of asked for a better group of girls to start my adventure here with. We laughed way too much in room 501 and I will miss that. But goodness, I will not miss sharing my bathroom with thirty girls who don’t know how to dye their hair without dying the wall. Showering without flip-flops? I forgot what that was like. Let’s not even talk about the kitchen and worse – the café food. BUT overall, I am thankful for this learning experience and memories made at old Howard Brodie.

Kayleigh, trying to pack herself up on a Tuesday night.  
            Going home to Salt Lake City will be a heat wave. Not only is the temperature already twenty degrees hotter than it is here, but also I will be working as a breakfast waitress again at The Market Street Grill Downtown (so come and visit.) I will also be taking two online classes and hopefully receive an internship/volunteer opportunity through SLC Photo Collective. Then of course the minutes in between all of that I will be playing hard with my family, closing Coffee Garden with countless conversations, and dancing hard at the Twilight Concerts. See you there?



This is a little video I stumbled upon. Not only is it breathtaking to watch, but the song ("Gracious" by Ben Howard) is my recent addiction. (Also, the lyrics are the title of this post.)  Enjoy. 
http://vimeo.com/57878898 

Have a wonderful week & wish me luck. Ciao, Ciao.

Monday, March 11, 2013

my roommate has a very contagious laugh

I have positioned the lamp on the right side of my desk to bounce light off the walls so it gently lights the petals of my birthday flowers. It is not lighting anything on my desk - the exact opposite of what it is designed to do. Instead, it is creating patterns and folds between light and dark against the white wall that stands before me. The city is busy, but with sounds of sports cars and sirens instead of the weekend puking and screeches of the puker's girlfriends.

For my english class we had to write an artist autobiography. I received an email today from my professor asking for a digital copy of my piece for future class examples because it "made (her) laugh" and she thought I was a very "advanced and talented writer." Since this blog is all about me, I thought I would promote myself shamelessly with this award winning autobiography about my journey to becoming an artist. (I will warn you that if you are an avid reader of Verbaledudette you will notice a few pieces and parts from previous "coming of age" posts. I did not cheat, I just took my best and put it with some new bests. Get over it.) Also, I promised my Parents that I would send it to them - this is the easiest way to do that (And this way Grandmother can get it too. . . love you Granny!)


The Chronicles of the Sketchily Challenged
            My first image-taking device was a plastic red and yellow, two handled, Playschool, 35mm film camera, received in 1996. Before I could put one foot in front of the other, my nimble fingers knew how to control the shutter release button. The first roll of film developed were artistic blurred landscapes, over exposed close ups of my Mother’s smile, and abstract designs of my Father’s ears.

            I grew up in a home where creativity was just as important as eating your vegetables. In the morning I was awaken by Macy Gray’s classics on the stereo system and put to sleep with Pink Floyd’s “The Wall” vinyl album rotating slowly on the turntable. The hours in between were marked with cardboard finger-painted cars, beaded ankle bracelets, and avenues filled with sidewalk-chalked rainbows. Christmas gifts were macaroni noodle headbands. Valentines had lopsided cut out hearts pasted with glue, glitter, and Goldfish cracker crumbs fallen from my focused mouth. And my family always looked forward to my annual birthday portraits that resembled more of Van Gough without an ear than my Mother with a flower.

            Uintah Elementary School was the only educational experience that promoted fantasy over actuality, through its school colors of neon purple and the unicorn mascot leaping for the clouds on the cover of our shiny planners. Naturally, I was eager to show my school spirit in the state wide art competition. I won first place in fifth grade for Photoshopping my little sister’s face on my old english mastiff’s head. The piece was titled: “My Favorite Things.”

             It was in sixth grade I found love. I spent the entire year with that cute silver point and shoot Canon. We were always together. He never left my hand, practically glued to my palms (except when I was doing the monkey bars at recess.) He captured the awkward moments of our ruling over the students in grades one through five. We documented life as a twelve year old trying to understand the difference between boy cooties and worms, the science behind the kindergarteners having their own playground, and why Mrs. Fraughten’s last name changed every summer before returning for the new year. All these collections, memories, and friends were put into a film for the end of the year talent show. After raving reviews, the thirty-minute movie was played at graduation while parents cried, my classmates giggled, and Canon and I watched our love story unfold publicly.

            After feeling like a star in elementary school, I figured that Clayton Middle School would accept my artistic talents with open and appreciative arms. That was not the case. In eighth grade, Ms. Owen took my final project in her hands. The piece was an oil pastel mountainous landscape with rivers of violets, sky blues, and grassy greens, running through purple tipped cliffs, and beige cumulus clouds. She ripped the piece, slightly off centered, in half. The tattered valley falling to the linoleum as her chapped charcoal lips muttered, “It was a mistake allowing you into advanced art.” As I bent down, my shaking hands grasping the pieces, I decided to go back to photography.

            East High was nothing but locker room make outs, Arizona Ice Tea’s, and Zac Efron enthusiasts asking for a tour of the famous “High School Musical” school. Moral of the story, my dark room developments were not greatly appreciated compared to the latest Justin Beiber break up. Not being able to really relate to the subjects discussed at lunch, I turned to the internet to try and find the perfect school for me once I graduated. In order to find that ideal match I, naturally, Googled my two favorite things: Italia and photography. There, in my search results, listed a school called Firenze Arti Visive. Call it physic powers or an seventh sense, but I knew this my school. I emailed the head of the photography department, with my childhood “hippychics93” email address, and told him that I was interested. Maybe it was the fact that I spelled “chic(k)s” wrong that made him question my talents, but his week late response was a bit reluctant and had a lot of phrases that summed up to: “you have to be over eighteen,” “you have to be recommended by a college professor,” “you have to be a graduate student,” and “I am sorry.” I read these words a few times, let them sink in, ate a few Skittles, and took this rejection as a challenge.

            Four years later, as the thought of graduation was deeply engraved in my mind and senioritis made it difficult to attend classes, I sent another email to Mr. Charles Loverme. This time I did not ask questions, I simply told him the facts: “I am going to attend your school and you will benefit from having me in your program.” The next day my inbox held a little number one with a reply. All it said was:
Send me your portfolio.
- Charles
Immediately I assembled every photograph of flowers, dogs, my little sister, and my grandmother in standard jpeg form.

            I did not hear from the school of my dreams for two months. February 4, 2011 at sixteen hundred hours military time, I received an email of acceptation into Firenze Arti Visive in Firenze, Toscana, Italia for the fall semester of 2011.

            Before I moved to Italy I had never been on my own. I had not been to camp and I rarely had sleepovers, always making up excuses on why I could only stay late or calling my Mom in the middle of the night to pick me up. I graduated from high school and leaped into a surreal experience. I went from always holding my family’s hands, to flying my way to a foreign country where I did not know anyone, the language, where to go, or what to expect. I was pushed out of my comfort zone. I was scarred, but never did I ever regret doing it.

            Italy changed my life.

            Of course the culture and aspects of a foreign country were striking and eye opening, but suddenly I was forced to make decisions between good or bad, motivate myself to succeed at school, fix my own meals, and wash my own clothes. It sounds silly, but I was forced to grow up. Forced to experience. Forced to find out who I really was. In Italy I realized what mattered, what made who I was, what I wanted to be, and how lucky I was. I discovered, in a school with only two other students, that without art, I would not live a satisfied life. It was in Italy that the burning passion to pursue photography was fueled by hours of film development, one on one harsh critiques, and pools of tears large enough to flood the Arno River.

            When you are little you talk about what you want to do when you grow up. You draw pictures of your dream room in notebooks, you plan your prom dress, go from wanting to be a princess, to Hannah Montana, to a teacher. Then one day, you realize that you REALLY can become anything. I cannot tell you the exact day I figured out that I could be a photographer as a career, but I can tell you that once the seed was planted in my head, I could not stop feeding it nourishment. I kept telling myself the negatives: the lack of pay, the uncertainty, what will people think of you choosing art as a job? Will they think you took the easy way out? All of those are still in the soil of my ambition, but they are pushing me harder. Prove them wrong. Be happy every time you go to work. Put your best out there. Make someone notice. That small seed that once sat in the back of my mind is now a tangled vine, large and ever growing. Consuming.

            That vine has now stretched from smoggy Salt Lake City to foggy San Francisco, where I am 

studying editorial photography at the Academy of Art University. I sit in class today, a vanilla latte in 

my left hand, and remember that old red and yellow toy camera.  Since then my cameras have grown in 

size and complexity, explored cities, captured memories, endured fears, provoked and promoted 

happiness, and helped develop a profound passion. Photography, for me, is more than a hobby . . . it is 

an obsession filled with deep desire and ardor. I aim to use my photographs to please the eyes, intrigue 

the senses, and inspire reaction, while forcing the observer to question emotions. I am hoping to 

eventually work for Rolling Stone’s Magazine and shoot album covers for my favorite musicians.


Hopefully my English teacher was not the only one who enjoyed that as much as I enjoyed writing it. If you are a follower of my instagram (@audreyrotermund) or foresquare, you may have noticed that I have been quite the concert whore. Like seriously, I have been going to at least one show a week all thanks to the free tickets I have been winning. Most of the shows I have won have been decent, a good time, enjoyable. BUT the adventure I took Kayleigh to this last week was hands down the best yet. I am pleased to annouce that I walked away with not only a handful of images I snuck from the balcony (even though they said no photography.. hee hee) but also three new favorite bands. Ladies and Gents: please check out "Dream Tiger," "Astronautalis" and "Why?" I do not know where they have been all my life.

Have a wonderful evening. xo